|          .art         news         February 28,         2014  |                | 
|          Left: Jerome Witkin, Vincent and His Demons III, 2012, oil on         canvas. Right: Joel-Peter Witkin, Las Meninas, 1987, gelatin silver         print TWIN VISIONS: Jerome Witkin &         Joel-Peter Witkin         Los Angeles, CA.  Jack         Rutberg Fine Arts in Los Angeles will present an         historic first in its exhibition entitled "Twin         Visions: Jerome Witkin & Joel-Peter Witkin",         uniting for the first time the two internationally celebrated artists          identical twins  in this much anticipated exhibition. "Twin         Visions" will open with an evening reception on Saturday, March         1, from 6:00 to 9:00 pm with both artists in attendance. The exhibition         will extend through May 3.         Jerome         Witkin and Joel-Peter Witkin are acknowledged as two         of the greatest contemporary artists in their respective genres: Jerome         Witkin is a painter cited by many critics and curators as the finest         figurative artist working today, and Joel-Peter Witkin is equally regarded         as a master of his genre  a groundbreaking photographer famous for         masterfully conjuring his uniquely surreal images. These identical twin         brothers, who have enjoyed remarkable success over their respective         careers spanning more than fifty years, have never exhibited together.         Until now.         "Twin         Visions: Jerome Witkin & Joel-Peter Witkin" brings         to light two outstanding  contemporary artists whose psychological         studies and complex tableaus place them among the great heroic artistic         traditions by depicting themes that are at once historic, personal and         deeply psychological. The common threads in their work are as distinctive         as are their differences and         individuality.         This exhibition represents an historic first, as         both artists have famously been artistically estranged throughout their         careers. The exhibition brings forth not only the unique talents of         two distinctive artists  both having near cult-like admiration of their         peers  but also calls into question the notions of their shared and         disparate visions and even perhaps the notion of genetic pre-disposition         to creativity. While history has been populated with great numbers of         artistic families  Marcel Duchamp's siblings Jacques Villon, Raymond         Duchamp-Villon and Suzanne Duchamp come to mind, as do art-dynastic         families going back centuries like the four generations of Bruegels in the         16th century, and before them, Lucas Cranach and Hans Holbein and their         sons  Jerome Witkin and Joel-Peter Witkin stand in contrast as identical         twins as they have simultaneously achieved significant recognition, while         evolving apart, creating among the most provocative and distinctive bodies         of work in contemporary art.         The exhibition will include some forty works         spanning more than three decades including both artists' most recent         works. Iconic photographs by Joel-Peter Witkin include "Olympia" 1974, and         "Las Meninas" 1987, among his small and large scale works. Jerome Witkin's         masterful large painting "The German Girl" 1997 will be among his works         shown in this exhibition, joined by two monumental early drawings of the         mid 80s, ruminating on a mythologized Van Gogh and his most recent         paintings reflecting on Van Gogh as         archetype.         Joel-Peter Witkin is renowned as         the creator of elaborately staged and often erotically charged scenes         exploring grand themes of religion, sex and mortality. His provocative         imagery is frequently populated by social outcasts, dwarves, persons with         extraordinary physical attributes and deformities, hermaphrodites, and         other 'outsiders' and has created a sensation since early in his career in         the 1960s and particularly in museum exhibitions in the early 80s at the         Stedelijk in Amsterdam and San Francisco Museum of Modern Art. He was         afforded a retrospective survey at the Guggenheim Museum in 1995. Recent         major exhibitions include the Bibliotheque Nationale in Paris, and the         Bibloteca Nacional de Chile, Santiago. His work is also the subject of         twenty seven publications, and a documentary film "An Objective Eye".         Critically, his riveting works elicit controversial and dramatic response,         well typified by critic Grace Glueck's 2006 New York         Times review where she states: "The calculated madness of         Joel-Peter Witkin's photographs conveys a sense of 19th-century horror,         like the dreamworks of the Symbolist painter Gustave Moreau
 there's a         master of surrealistic photography at work." His photographs are in the         permanent collections of the National Gallery, MOMA, The Metropolitan         Museum, the Getty, Victoria and Albert Museum, Centre Georges Pompidou,         among many others. Among his numerous awards, he was the recipient of the         Commandeur d'Ordre des Arts et des Lettres de France in         2000.         Jerome Witkin has been drawn to         paint since childhood. The recipient of many prizes, including two Ford         Foundation Grants, a Guggenheim, and a Pulitzer Fellowship, his masterful         draftsmanship and virtuoso painting have elicited a cult following among         his fellow artists. He has been the subject of myriad exhibitions, most         recently a touring museum retrospective originating in 2011, celebrating         his forty years at Syracuse University. His paintings, often on a grand         scale, have been cited by many as being among the great narratives in         contemporary art, dealing with apocalyptic events such as the Holocaust         and 9/11. Critically, Jerome Witkin has been likened to Lucien Freud,         Manet, Ingres, and Goya for both his technical mastery and psychological         insight. The Los Angeles Times hailed Witkin as an         "indelible, pungent force," and cited his work as "... a breakthrough in         post-Cold-War art." Art in America notes his "
         Action-Painting technique, tour-de-force draftsmanship and emotionally         loaded narration." Art historian Donald Kuspit called Witkin's works         "dreams in the grand visionary manner of the Old Masters ... painted with         the rhapsodic abandon of pure sensation ... unequivocal masterpieces." Art         critic Kenneth Baker declared: "Witkin's only peer is Lucien Freud." His         works are in the permanent collection of museums internationally,         including the Uffizi Gallery in Florence, The Fine Arts Museums of San         Francisco, the Hirshhorn Museum in Washington, D.C., Metropolitan Museum         of Art in New York and numerous institutions throughout         America.         "Twin Visions: Jerome Witkin &         Joel-Peter Witkin" opens March 1 with a reception from 6:00 to         9:00 pm and extends through May 3. Jack Rutberg Fine Arts is located at         357 North La Brea Avenue in Los Angeles, California. Gallery hours are         10:00 am  6:00 pm Tuesday through Friday, and 10:00 am  5:00 pm         Saturday. The gallery can be contacted by phone: 323 938-5222 or email: jrutberg@jackrutbergfinearts.com         This e-mail         is sent by It's LIQUID Group. It is confidential and protected by law. Any         un-authorized use or distribution of information here contained is         prohibited. If you have received this e-mail in error, notify the sender         immediately. This e-mail address is strictly of use and property of the         author. To unsubscribe click here and send a         blank         email.  | |
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